I love libraries. And I love nonfiction picture books.

Photo shows three levels of books in a library.

So I made a list of my favorite library-themed nonfiction picture books. You can find it here. Thee are true books about libraries, librarians, and library users.

So, what about these books will make kids love libraries?

  1. They explain what kids encounter in the library. Alexis O’Neill’s wonderful biography of Melvil Dewey describes how libraries came to be organized as they are.
  2. They show that libraries are created by people. Schomburg and Digging for Words introduce us to library visionaries from different times and different places. But both are heroes!
  3. They make us feel how valuable libraries are. Hands around the Library tells the remarkable story of a city saving its library from the ravages of war. Dreamers tells the more personal story of how a library changed one person’s life.

Cover of book shows a girl confidently posing on a tightrope.

Madame Saqui: Revolutionary Rope Dancer is a nonfiction picture book. The biography transports readers back hundreds of years to pre-revolutionary France. We meet a family of tighrope perfomers and their tiny daughter, Marguerite, who yearns to join her parents on the tightrope.

But trouble looms. First, Marguerite’s family deals with the French Revolution. Then, they face her father’s career-ending fall from the tightrope. But Marguerite continues to love the circus. Without her parents’ knowledge, she finds someone to teach her the art of tightrope-walking.

Her public performance surprises her parents. And her success lures them back into performing. Finally, the rest of the book celebrates Marguerite’s life-long career as a tightrope performer.

I don’t often find picture book biographies set so far in the past. I loved the way Lisa Robinson weaved in historic details about the revolutionary fervor of the time. The art, by Rebecca Green, adopts the red, white, and blue palette of the French flag.

I loved the design of this book. It’s a very long, thin rectangle, which emphasizes the idea of height. It echoes the book’s theme about the inherent risk of tightrope walking. The endpapers are elegantly simple–blue horizontal lines stretched across the page, like tens of tightropes.

I’m delighted to have learned about this gutsy girl, and glad to have such a beautiful book on my shelves.

Madame Saqui: Revolutionary Rope Dancer by Lisa Robinson, illustrated by Rebecca Green (Schartz & Wade: 2020).

Image shows a tree growing from a book and reads Nonfiction Picture Book Challenge 2020

Cover of All the Way to the Top shows a girl, surrounded by spectators and reporters, climbing up steps.

Next Tuesday my book All the Way to the Top: How One Girl’s Fight for Americans with Disabilities Changed Everything comes out. I’m excited to share with kids and adults the story of how the Americans with Disabilities Act (ADA) came about. Lucky for me, the brilliant social studies teacher Jenna Pontius Vandenberg volunteered to pull together an educator’s guide for the book.

I’ve done my own educator’s guides before, and it was a good learning experience for me to understand how teachers might approach a text. But when Jenna sent me her educator’s guide for this book, I was completely blown away by the breadth and depth of the suggestions she has for how teachers can engage students.

One nagging problem of writing biography is that, while the book is about an individual, the individual lived in a web of relationships. Jenna addresses that problem with an activity she suggests of having students research other people who were important in getting the ADA passed. And appropriately, since the point is that change happens when groups coalesce around an issue, she sets this up as a group activity.

Another problem of writing about history for kids is connecting it to today’s world. Jenna found great ways to connect the story I tell to their own world. She invites students to analyze a speech Barack Obama gave about the ADA. And she pushes them to think critically with a set of worksheets where students examine a real-life problem and write about how laws like the ADA could solve the problem.

Worksheet shows a picture of a girl in a wheelchair stopped at a curb and asks students to write about how the ADA could help solve the problem.

The Common Core linked Educator’s Guide is available for free here on my website and on Sourcebook’s website.

If you think you are going to buy All the Way to the Top, I’d appreciate your pre-ordering it. Pre-orders matter a lot in the publishing world! And I always appreciate people posting reviews on commerce sites and social media.

Finally, if you’re going to be in the Denver metro area next week, come join us at our book launch party at Tattered Cover Aspen Grove on Tuesday, March 10, at 7 PM.

Thanks!

All the Way to the Top: How One Girl’s Fight for Americans with Disabilities Changed Everything by Annette Bay Pimentel, illustrated by Nabi Ali (Sourcebooks: 2020).

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Cover of book shows white-haired woman clutching a book

Children spend a lot of time and energy learning to read. The Oldest Student: How Mary Walker Learned to Read acknowledges that effort and reminds us what a treasure literacy is.

Rita Lorraine Hubbard has written this beautiful tribute to Mary Walker. Mary, as she’s called in the book, was born into enslavement. The author’s note acknowledges that Hubbard had to imagine the conditions of her enslavement since no records remain. When Mary was fifteen years old, the Civil War ended, and she and her family began sharecropping and finding other ways to provide for themselves. In the crush of work, Mary never learned to read.

After her husband and all three of her sons had passed away, when Mary was 114 years old, she joined a reading class in her retirement class. Just like the children this book is written for, “She studied the alphabet until her eyes watered. She memorized the sounds each letter made and practiced writing her name so many times that her fingers cramped. She learned to recognize ‘sight words’ and then challenged herself to make short sentences with them.”

And Mary learned how to read!

I loved Oge Mora’s collage art in the book. She subtly includes print elements in almost every illustration, reminding the reader how much of our world is made up of things that need to be read. I especially loved the page where Mary is leaving her children at home while she goes out to work, and the ground she’s walking on is composed of pieces from a sewing pattern. Even the kind of work that Mary had to do to make ends meet was made more difficult because she couldn’t read.

And then, in the triumphant illustration where people are celebrating Mary’s newfound ability to read, the dress Oge Mora puts her in is composed of type. It’s a lovely and moving moment.

Collage image from book shows Mary in a dress made of pieces of print.

An inspiring book that celebrates literacy!

The Oldest Student: How Mary Walker Learned to Read by Rita Lorraine Hubbard, illustrated by Oge Mora. (Schwartz & Wade: 2020).

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Cover shows African American woman holding tools in a carpentry shop

Sweet Dreams Sarah by Vivian Kirkfield is a nonfiction picture book that hits the sweet spot of combining STEM principles with social studies content.

In the book, we see the engineering process at work. Every element of the story zeroes in on the engineering process:

identify the problem

brainstorm solutions

construct a prototype

analyze the results

redesign

A nineteenth century, newly-freed woman, Sarah, tries to solve a problem for the customers in her furniture shop. They live in tiny apartments and the furniture she sells is just too bulky. Once she has identified the problem, she brainstorms solutions and builds a prototype. The prototype has problems so she redesigns it. When her patent is rejected, she revises and resubmits it. Her story would be a great introduction to a unit on invention

At the same time, her story has lots of social studies content that can spark conversation and build understanding in kids. It addresses slavery, Reconstruction, entrepreneurship, and how government processes (like patents) work. Importantly, it discusses the roles of women in history in a clear way.

The book is clear and fun to read aloud. It keeps the story active and moving along with refrains like, “Measure. Cut. Sand.”

And now I want one of the desk-beds that Sarah invented!

Sweet Dreams Sarah by Vivian Kirkfield, illustrated by Chris Ewald. (Creston Books: 2019).

Image shows a tree growing from a book and reads Nonfiction Picture Book Challenge 2020
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The Girl Who Named Pluto is a gentle story. It tells how a child becomes interested in astronomy and how she interacts with the adult scientific world.

Cover of book shows a girl thinking about the solar system.

Venetia Burney was a child in 1930 when she suggested “Pluto” as the name for the ninth planet. I loved how this book shows her interactions with adults. We see her fascination with her schoolteacher’s lesson. We watch her conversations with her science-minded grandfather. And, ultimately, we see these grown-ups lead her to other grown-ups who acknowledge her contribution.

Don’t miss the back matter! It’s there you find Venetia Burney’s reaction when Pluto was demoted from planet status. (She said, “I suppose I would prefer it to remain a planet.”) There is a charming photo in the back matter of her as a schoolgirl, too.

The art is by graphic novelist Elizabeth Haidle. The text is set up as a traditional picture book, but several spreads use graphic novel techniques in the page layout.

This is a fun book about the way amateurs–including children–can engage with the world of science.

The Girl Who Named Pluto: The Story of Venetia Burney by Alice B. McGinty, illustrated by Elizabeth Haidle. Schwartz & Wade: 2019.

Picture announced "Nonfiction Picture Book Challenge 2019"
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Cover of Let 'Er Buck shows African American cowboy on a bucking bronco

I loved Let ‘Er Buck by Vaunda Micheaux Nelson. This picture book biography tells the story of George Fletcher, and African American cowboy who, in 1911 entered the Pendleton Round-up rodeo and arguably won but was not awarded the top prize by the judges. The book describes how the audience took matters into their own hands to make sure Fletcher left with prize money.

I love books that tell me about unexpected heroes but this one was especially sweet to me since it takes place in my neck of the woods. The book tells about how Fletcher lived for a time as a child on the Umatilla Indian Reservation and competed against a Nez Perce cowboy, all familiar Inland Northwest locations and groups.

Nelson helps set the scene with an engaging old-timey voice. The first page, even before the title page, she introduces us to George Fletcher, the rodeo star, but then warns, “But we’re puttin’t he wagon ahead of the horse. We gotta go back a ways to reckon how he [Fletcher] got there.” The voice helps set the reader in time and place, and she never lets the Western flourishes overwhelm the story.

I loved the back matter in this book. Nelson gives a more complete profile of each of the three rodeo competitors described in the book, as well as of the sheriff who led the charge to make sure Fletcher’s skillful riding was adequately rewarded. She also has a fascinating section called “About the Research” where she sketches out some of the uncertainties she had to struggle with as she figured out the story to tell, and she includes a full page bibliography.

The oil painting illustrations, by Gordon C. James are vibrant and expressive.

I’m going to be sharing Let ‘Er Buck with lots of people!

Also, in the shameless promotion category, I’m delighted that Girl Running has been showing up on states’ reading lists. It’s been nominated for Maine’s children’s choice prize, the Chickadee Award and was listed on the Texas Topaz Nonfiction Reading List.

Picture of tree going out of book with words "Nonfiction Picture Book Challenge 2019"

Let ‘Er Buck: George Fletcher, the People’s Champion by Vaunda Micheaux Nelson, illustrated by Gordon C. James (Carolrhoda Books: 2019).

Cover of book shows a boy sitting on a treehouse platform in a tree.It’s good to be home! After a summer of adventures, I loved finding Up in the Leaves: The True Story of the Central Park Treehouses at our library. It’s a nonfiction picture book about a city boy, Bob Redman, who doesn’t feel at home in the city crowds, but finds his own kind of home in the trees of Central Park. He climbs them and builds treehouse after treehouse. Each treehouse is torn down when it’s discovered. And he always responds by building another, even better treehouse. Until finally, the park grounds crew discovers him in his treehouse. It’s a lovely book about how one boy found nature when he needed it and ultimately about the goodness of human nature, helping him find a way to make that passion part of his everyday life.

I was surprised to discover in the author bio on the back flap that the book was written by his partner, the mother of his children. I’m a sucker for family history stories like this. There’s an immediacy and level of detail in family history books that is tough to achieve when the author isn’t part of the family.

The endpapers are some of the loveliest I’ve seen this year–green leaves layered on each other. I kind of want it to be wallpaper in my house. The back matter is very brief–only about 150 words about Bob Redman, but it also includes a wonderful photo of him. Up in a tree, of course!

Up in the Leaves: The True Story of the Central Park Treehouses by Shira Boss, illustrated by Jamey Christoph. (Sterling: 2018).

Picture of children surrounding a globe

Alyson Beecher hosts the Nonfiction Picture Book Challenge at kidlitfrenzy.com. Visit there for more great nonfiction picture books!

Still working through my pile of 2017 books. Today I have three American stories. They’re from differen time periods, about different characters, and written in widely differing styles.

Cover shows young woman with cake and two American flagsIndependence Cake by Deborah Hopkinson is another of her books inspired by fact but fueled by fiction. I love how she lays out the fictional aspect of her story right up front. As she did in Beatrix Potter and the Unfortunate Tale of a Borrowed Guinea Pig Hopkinson makes sure that the reader knows that this is truth embellished. Here, she says on the first page:

But the details of her life are lost, simmered away in the pot of time. So why not start from scratch and whip up something delicious about her?

The story tells about an eighteenth century orphan gir, Amelia Simmons,l who teaches herself how to cook, creates a cookbook, and bakes an independence cake to celebrate George Washington’s inauguration. The Independence Cake recipe comes from Amelia Simmons’ cookbook, but the rest of the story is gloriously made up.

Independence Cake by Deborah Hopkinson illustrated by Giselle Potter. (Schwartz & Wade: 2017).

Cover of book shows young girl preparing to board large ship

 

Hedy’s Journey is the story of a Jewish refugee family in World War II whose lives are saved because they are able to immigrate to the United States (thanks to an aunt, living in the US helping them–hello, chain migration!). Their story of pluck and struggling with nearly-impossible setbacks is heartbreaking and inspiring. The book is written by the daughter of the main character. It’s well-written and a good reminder of both of the reasons some  refugees need to leave their homelands and the remarkable strength they bring to their new homes.

Hedy’s Journey: The True Story of a Hungarian Girl Fleeing the Holocaust by Michelle Bisson, illustrated by El primo Ramon. (Capstone Press: 2017).

 

Cover of book shows 2 black children marching with a protest sign and John F. Kennedy speakingA Time to Act tells John F. Kennedy’s life through the prism of his famous 1963 speech in favor of civil rights for all Americans.  The book examines Kennedy’s childhood, both privileged and difficult, and doesn’t shy away from his hesitation to embrace civil rights. It profiles leaders like Martin Luther King, Jr. and Jackie Robinson who became impatient with Kennedy’s delays and especially highlights the actions of ordinary citizens that eventually propelled the president to speak. The book is an interesting exploration of the way that leaders lead and followers push leaders.

A Time to Act: John F.  Kennedy’s Big Speech by Shana Corey, illustrated by R. Gregory Christie. (North South Books: 2017).

Picture of children surrounding a globe

Alyson Beecher hosts the Nonfiction Picture Book Challenge at kidlitfrenzy.com. Visit there for more great nonfiction picture books!

 

My three year old grandson loves “things that go.” Here are three books perfect for him and other fans of cars, trucks, trains, and buses.

Cover of book shows a 1950s era car with a boy standing next to it in a tropical cityAll the Way to Havana by Margarita Engle (Henry Holt: 2017) is set in Cuba and narrated by a boy who is going with his family to a party for his newborn cousin. But first, he and his father have to fix their 1950s era car. The book is full of wonderful onomatopoeia and is fun to read aloud. It has wonderful illustrations of Cuban cityscapes and country scenes (researched on location, as the illustrator’s note at the back explains) and of the many, many old cars that still drive on Cuban streets. I loved the focus on the inventiveness required by the boy and his father to keep the car running. It reminded me of a mechanic I knew in the Netherlands. He had also been a mechanic in Ivory Coast. When I asked him which he preferred, he said, “Here, you just order a part and put it in. But there it was more interesting because you had to figure out how to solve it without a new part.” Hooray for human resourcefulness! (And don’t skip the gorgeous endpapers–covered with drawings of many different models of vintage cars seen on Cuban streets.)

Big Machines: The Story of Virginia Lee Burton by Sherri Duskey Rinker (Houghton Mifflin Harcourt: 2017) is a picture book biography of the beloved author and illustratorCover of book shows woman and 2 boys in front of cable car, snow plow, steam shovel, and locomotive of such classics as Mike Mulligan and His Steam Shovel and The Little House. The book shows Jinnee–as she was called–drawing vehicles for her transport-mad sons. I love how the story evoked the books that I knew so well as a child. I’m not sure how fun the book would be to read if you didn’t know at least a few Virginia Lee Burton titles–but who doesn’t? And what a great addition this title would be to an author study. John Rocco, the illustrator, does a great job of paying homage to Burton’s work while creating his own distinctive illustrations.

Cover of book shows a World War I warship painted in extravagant stripesDazzle Ships: World War I and the Art of Confusion by Chris Barton, illustrated by Victo Ngai (Millbrook: 2017) is one of my favorite books yet by Chris Barton. He explains in clear, bouncy prose the Navy’s attempt to confuse submariners by painting their ships in wild, exotic patterns. I love how the book opens. We see a spread with scores of gun-metal gray warships and one extravagantly striped and colored ship. The text reads, “One of the ships on this page is painted in sneaky, stripy camouflage. You probably can’t even see it. Oh. You can see it? Hmmmmm.” The same clarity and good humor continues throughout the book, adeptly aided by the beautiful art. I was fascinated to read about the role of women in this camouflage enterprise–and in the author’s note Barton talks about how a historic photograph helped him uncover that piece of the puzzle. A book that will entrance–dazzle!–young and old readers alike.

Children with book around a globe

I participate every Wednesday in the Nonfiction Picture Book Challenge at Kid Lit Frenzy.

African American woman stands proudly in front of fancy party gowns.In Fancy Party Gowns I loved learning about one of those fascinating people from the corner of history–someone who changed a little bit of the world but who isn’t widely known. This is a book about a fashion designer, Ann Cole Lewis, who created a career for herself out of designing and producing high end dresses. She made the gown that Olivia de Haviland wore to receive her Oscar in 1947 and the wedding dress that Jacqueline Bouvier wore in 1953 when she married John Kennedy. Ann managed her career while, at the same time, managing anti-African American sentiment that tripped her up time and again.

I loved the way Deborah Blumenthal used refrains in the text of the book. When Ann faces challenges, like the death of her mother or the disastrous destruction of her work, “Ann thought about what she could do not what she couldn’t change.” When she faces discrimination, it’s “because she was African American. And life wasn’t fair.”

My heart sang at Ann’s triumphs over adversity and mean-spiritedness. And the book made me want to sit down with some fabric and a needle, too.End papers show many fancy party gowns.

The art is wonderful. Not surprisingly, there are wonderful fabric colors, textures, and patterns on every page. It dwells lovingly on tiny details related to sewing, like the handful of buttons strewn across the bottom of one page. I especially love the endpapers, which show some of the dresses Ann designed.

This is a book to read with The Hundred Dresses! One is fiction but this nonfiction story will give context and power to the idea of designing dresses.

Fancy Party Gowns: the Story of Fashion Designer Ann Cole Lewis, by Deborah Blumenthal, illustrated by Laura Freeman. little bee: 2017

Children with book around a globe

I participate every Wednesday in the Nonfiction Picture Book Challenge at Kid Lit Frenzy.

A woman in old-fashioned dress flying in a basket under a balloon.Balloons! Fancy hats! Napoleon! All this plus female empowerment. Lighter than Air: Sophie Blanchard, the First Woman Pilot is a biography of an eighteenth century woman balloonist. As Matthew Clark Smith warns in the back matter, “I was forced to use my imagination in describing Sophie’s childhood.” But he grounds it in real events of the same time–“Fashionable ladies wore balloon-shaped hats. Families dined on balloon-painted plates.” The book, especially in the early pages, probably crosses the boundary out of nonfiction, but it is a sacrifice that I think is required in order to tell a story that would otherwise be silenced.

Most of the illustrations show Sophie’s hair blowing in the wind. The book seems, appropriately, breezy, as if we were up in the air with Sophie.

I loved the brief mention of Jean-Pierre Blanchard and John Jeffries’ balloon flight over the English Channel when “they  had to toss everything overboard to keep from crashing into the sea–even their trousers!” Makes me want to pull out A Voyage to the Clouds to read as a companion book. The tone of the two books couldn’t be more different, but some of the content is the same. I can imagine fascinating conversations and an interesting Venn diagram or two from a comparison of the two books with kids.

Lighter than Air: Sophie Blanchard, the First Woman Pilot by Matthew Clark Smith, illustrated by Matt Tavares. Candlewick: 2017.

Children with book around a globe

I participate every Wednesday in the Nonfiction Picture Book Challenge at Kid Lit Frenzy.

Close-up of Mickey Mantle's face as he watches for a pitch.Last week I looked at a deeply serious book by Jonah Winter. Today I look at another of his books, Mickey Mantle, the Commerce Comet, which has a completely different tone. This is an enthusiastic biography of a famous baseball player. As Winter notes in the front matter, Mantle “had a rough childhood” and is “famous for having suffered from the disease of alcoholism,” but this book doesn’t address those dark elements of his life. Instead, it’s an upbeat celebration of his amazing athletic accomplishments.

The narrative voice in this book is engaging and folksy:

“And that kid was fast. As legend has it, he learned how to run like the wind while darting to the outhouse, armed with a bat, pursued by the fearsome family rooster. You can look it up!”

The narrative switches back and forth between past and present tense. We hear all about Mantle’s growing-up years in the past tense, but when the story switches to the moment Mantle is discovered, we plunge into the present tense. A New York Yankees talent scout sees Mantle playing ball:

He walks up to Mickey and asks him how old he is.

“Sixteen,” Mickey tells him.

Too young for the major leagues.

Still, he asks, “Would you ever be interested in playing ball for the Yankees?”

he story switches back to past tense after Mantle has been discovered:

Here’s what happened: Mickey’s boyood dream came true–at age nineteen, the Yanks brought him up to the majors…

We switch back to present tense at another life-changing moment for Mantle, during the description of a World Series game where he was seriously injured, an injury he never fully shook, and then back to past tense to end the book.

The tense changes are artfully done–it’s easy not to even notice them–but they work to create the narrative arc of his life.

C.F. Payne’s art is wonderful, and don’t forget to notice the endpapers. Any Yankees fan will love them.

Mickey Mantle, the Commerce Comet, by Jonah Winter, illustrated by C.F. Payne. Schwartz & Wade, 2017.

Children with book around a globe

I participate every Wednesday in the Nonfiction Picture Book Challenge at Kid Lit Frenzy.

Cover of book shows Dorothea Lange sitting on top of a jeep with her camera.Recently I talked with a writer friend about a new project, her first attempt at a picture book biography. She started telling me all sorts of fascinating details about her subject’s life, and then stopped and asked, “How do you decide what to keep in?”

Carole Boston Weatherford’s new picture book biography, Dorothea Lange: The Photographer Who Found the Faces of the Depression, answers my friend’s question. The book covers much of Lange’s life, from childhood to professional success, but everything in the book connects to the idea that Lange felt empathy for the poor and the powerless. The book centers on one theme in Lange’s life and gives example after example of her laser focus on seeing people and situations that were invisible to others.

In fact, the opening spread is about Lange’s ability to empathize:

“Because childhood polio left her with a limp and a rolling gait, Dorothea knew how those les fortunate felt without ever waling in their shoes. Kids called her “Limpy.””

We see Lange struggling with fear as she walksEm the dangerous streets of her childhood, see her struggling to regroup after being the victim of a robbery, and see her turning away from rich clients to snap photos of unemployed men in a bread line. I don’t know all the details Weatherford had to leave out of her book, but she consistently makes sure every detail she does include ties back to this theme of empathy in Lange’s life.

I loved the simple, clear writing in this book, and the illustrations had completely won me over by the end. Sarah Green, the illustrator, has the unenviable task of recreating some of Lange’s photos in illustration form, but Lange’s famous Migrant Mother photo is reproduced in the back matter.

This is a lovely, easy-to-read biography that shows how empathy can change the world.

Dorothea Lange: The Photographer Who Found the Faces of the Depression by Carole Boston Weatherford, illustrated by Sarah Green. Whitman: 2017.

Children with book around a globe

 

I participate every Wednesday in the Nonfiction Picture Book Challenge at Kid Lit Frenzy.

Portraits of seven Hispanics.One of my favorite questions to ask teachers and librarians is what books they wished they had to put in kids’ hands. A school librarian who works near San Diego told me she desperately wants more books with Hispanic protagonists. She worries that her kids don’t see themselves often enough in the books she has to give them. I think she’s going to be happy to see a copy of Bravo! Poems About Amazing Hispanics.

In this collection, the poet Margarita Engle has written short biographical poems about eighteen Hispanics, some still famous but most not, all with a connection the United States. It was a fascinating set of people–scientists, athletes, artists, teachers–and her poems are beautiful, cutting to the heart of why each person is memorable and remarkable. I was surprised that I’d never heard of some of these people–George Melendez Wright, who pioneered animal protection in the National Park System, Baruj Benacerraf who won a Nobel Prize, Juan de Miralles, who fought with George Washington.

Opposite every poem is a wonderful portrait by Rafael Lopez, who also illustrated Engle’s book Drum Dream Girl. His website has images showing his process in creating the portraits.

This is a fascinating collection that urges the reader to expand the definition of national hero.

Bravo! Poems about Amazing Hispanics by Margarita Engle, illustrated by Rafael Lopez. Henry Holt: 2017.

Children with book around a globe

I participate every Wednesday in KidLit Frenzy’s Nonfiction Picture Book Challenge.

Black man holds an old-time lantern.

One of my New Year resolutions: to find people whose stories haven’t been told.

Whose stories do we get to hear? Usually, it’s the stories of the people in power. There’s a good reason for that: their stories are memorialized in documentary evidence. Historians can examine papers and books and stitch together stories. The problem is, that leaves out the stories of most of humanity. So is it possible to tell the stories of the dispossessed, of those who lost the wars, those who were ignored in their lifetime?

Historians (like Jennifer Nez Denetdale) are beginning to use oral histories and folktales to illuminate the past. But there is a danger that their carefully-explained process may begin to transform universities and colleges but somehow skip the youngest readers. In Lift Your Light a Little Higher, Heather Henson tackles the problem head-on. In it, she tells the story of Stephen Bishop, the nineteenth century slave who was the first to extensively explore Mammoth Cave in Kentucky. She acknowledges in the back matter:

In reality, not much is known about Stephen as a person. And so in this book, I tried to imagine his life inside the cave from a few written descriptions, from a few facts.

From the beginning, the narrative is organized around the idea that understanding the past is like trying to find a path through a dark cave:

The past is like a cave sometimes. Dim and dusty, and full of twisting ways. Not an easy thing to journey down. ‘Specially when you’re searching out a path that’s hardly been lit, a trail that’s never been smooth or flat or plain to follow.

This book, about a man who has been dead for more than 150 years, is written in first person present tense:

The color of my skin is black. The name I’m called is Guide. My home is in Kentucky.

Henson uses the first person narration to set up a conversational back-and-forth that allows her to insert historical explanations where they’re needed:

What’s that? You take a stumble already? You got a question so soon? Why? Is that what you want to know? Why is it against the law to teach me my letters? Because I am a slave. Because I am the property of a white man.

The book never uses invented dialogue, but the first person narrator perhaps moves it out of the strict nonfiction category. Nonetheless, it succeeded admirably in telling children, in an accessible, properly scaffolded way, the moving story of a historical character, using the few written records and facts that have survived. Its lyrical voice verged on poetry.

Bryan Collier’s watercolor and collage illustrations capture the darkness of the cave and the excitement of exploration, as well as the dignity of a brave slave-explorer.

Check out this interview where Henson talks about why she chose to write in first person here.

Lift Your Light a Little Higher, The Story of Stephen Bishop: Slave-Explorer by Heathern Henson, illustrated by Bryan Collier. Atheneum 2016.

Children with book around a globe

I participate every Wednesday in the Nonfiction Picture Book Challenge.

 

Cover of I Dissent with illustrations of Ruth Bader Ginsburg as a child and as a Supreme Court justiceLet’s turn away from the executive branch of government for a minute and think about the judiciary. I Dissent: Ruth Bader Ginsburg Makes Her Mark is a delightful picture book biography that is organized around a principle central to Justice Ginsburg’s work on the bench and, in fact, to all the workings of representative democracy: disagreeing doesn’t have to make one disagreeable.

In this book, divided roughly equally between Ginsburg’s childhood, her adulthood work as an advocate, and her legacy on the bench, Debbie Levy explores the idea of disagreement. We see how Ginsburg’s mother disagreed with prevailing cultural expectations for girl and how Ginsburg herself disagreed with anti-Semitic prejudice as well as elementary school expectations, such as expecting left-handed children to learn to write with their right hands. Ginsburg–and we as readers–see that sometimes disagreement leads others to change their minds (Ginsburg wrote with her left hand) but sometimes it doesn’ (Ginsburg still had to take home economics).

In the last section of the book, about Ginsburg’s legacy on the Court, Levy directly addresses her relationship with her most prominent foe.

Justice Ginsburg has disagreed most often with the legal views of Justice Antonin Scalia. But they didn’t just complain. They shared their conflicting ideas. Each pointed out weaknesses in the other’s arguments. Adn after the opinions were written…the two justices had fun with each other! They didn’t let disagreements about law get in the way of a long friendship.

One page has an illustration of Scalia and Ginsburg, in their judicial robes, leaning toward each other, fingers pointing, arguing. The facing page has illustrations of snapshots showing them parasailing together and riding an elephant together. It’s a wonderful juxtaposition. And a truth worth remembering: that you can disagree with someone else’s deepest-held political views and still appreciate and respect each other.

[And for true RBG fans, here’s one of the best Valentines my lawyer husband has ever given me.]Photo of Ruth Bader Ginsburg captioned "You violated the fith amendment when you took my heart without due process"

 

 

 

 

 

 

 

I Dissent: Ruth Bader Ginsburg Makes Her Mark by Debbie Levy, illustrated by Elizabeth Baddeley. Simon and Schuster: 2016.

Children around a globe.

 

 

I participate every Wednesday in the Nonfiction Picture Book Challenge at Kid Lit Frenzy.

On cover of The Kid from Diamond Street a girl leans jauntily on baseball bat.I love stories about gutsy women. I love stories about gutsy kids. Here’s a book about both–a gutsy girl.

Edith Houghton loved baseball. But in the 1920s there were no Little League teams for girls. Didn’t matter. She kept playing, and when she was 10 years old (ten!) she joined a professional team. She was by far the youngest and tiniest member of the team, which required her to find ways to alter her uniform so it wouldn’t fall of of her. But it didn’t stop her playing ball.

In fact, she played so well, when she was 13 she was invited to be part of an exhibition team representing the US playing in Japan. This book tells the story of how Edith Houghton began playing ball and then the great adventure of her trip abroad with her teammates.

I was floored that I had never heard of this remarkable girl. I loved seeing Japan through her eyes. Vernick chooses wonderful quotes that keep the point of view strictly Edith’s. (I did wish that the quotes had been attributed in the back matter.)

Vernick and Salerno teamed up for another great baseball book about unlikely players, Brothers at Bat. This one is a great book for baseball fans, for gutsy women, and for passionate kids.

The Kid from Diamond Street: The Extraordinary Story of Baseball Legend Edith Houghton by Audrey Vernick, illustrated by Steven Salerno. Houghton Mifflin Harcourt: 2016.

Children around a globe. I participate in the Nonfiction Picture Book Challenge at Kid Lit Frenzy.A 1

Picture of girl, all in color, with adults in black and white. Caption reads, "Addie never wanted to be ordinary."In Anything but Ordinary Addie, lush illustrations and sparkling text tell the story of unconventional Adelaide Herrmann, who embarked on a career without her family’s knowledge, proposed to her husband, and transitioned from magician’s assistant to successful stage magician upon the death of her husband.

I loved the story of this gutsy woman. Rockliff keeps the text moving sprightly along without resorting to invented quotations.

When Addie told her family what she was doing, they were SHOCKED.

Our Addie? On the stage? In front of everyone? IN TIGHTS?

It’s a simple punctuation solution (NOT using quotation marks) to a common dilemma in picture book biographies.

The back matter adds additional layers to the text in the book. One back essay gives more delicious details about Adelaide’s remarkable life. The other essay, titled “Searching for Addie,” tells the story of how Adelaide’s autobiography was lost to history. The essay also talks about other sources used for this biography.

The “About the Author” information on the jacket flap is worth checking out, too. It tells what originally interested Rockliff in this subject and will appeal to just about every middle school girl I know.

The back matter also has a link to the solution to one of Addie’s mystifying tricks.

Anything but Ordinary Addie: The True Story of Adelaide Herrmann, Queen of Magic by Mara Rockliff, illustrations by Iacopo Bruno. Candlewick: 2016

Children around a globe.

I participate in Kid Lit Frenzy’s Nonfiction Picture Book Challenge.

Cover of Crossing Niagara shows Niagara Falls with a tightrope stretched across it and a tightrope walker in the middle of the tightrope.This is the story of the multiple crossings which tightrope walker Blondin made of Niagara Falls in 1859 and 1860. Usually, picture books about historical events look at the events through the eyes of the main character. This story is told differently. Instead of looking at what happens through Blondin’s eyes, we watch what happens from a distance, as if we were just a few more of his many spectators.

The book does a great job of using art to tell parts of the story instead of crowding the pages with extra words. The text tells us, “With each performance, he tried to do something even more amazing, even more impossible, something that had never, ever been done before.” The pictures tell the rest of the story. Opening up a wide gatefold, we see the Great Blondin crossing Niagara Falls eight different amazing aways.

As always, Tavares’ art is luminous and great fun to examine in connection with the story.

Endings can be hard. I love the simple, decisive way this book ends.

He had done something amazing, something impossible, something that had never been done before. He had done it over and over again. And  now it was time for something new.

So he left Niagara Falls, and he never returned.

We can only hope that Tavares will return. Over and over again.

This would be a great book to pair with The Man Who Walked Between the Towers, another tightrope story, but one told from the point of view of the walker.

Check out the vine showing the gatefold spread in Crossing Niagara.

Crossing Niagara by Matt Tavares. Candlewick: 2016

Children around a globe.

 

I participate in Kid Lit Frenzy’s Nonfiction Picture Book Challenge.

Cover of The Secret Subway showing a man with his finger to his lips standing next to a subway car on rails.I wish I’d written this book. I love the topic–someone secretly built a subway under New York City in 1870?!? Who? How? Why didn’t I know about it before?

Shana Corey answers all those questions in her delicious retelling of Alfred Ely Beach’s innovative engineering feat and shrewd political wrangling (shrewd until the moment it all fell apart in the face of Boss Tweed’s power, that is) to build a pneumatic tube transportation system under the streets of New York City.

Writing a book for kids about the past is tricky. In order to tell the story, you somehow have to set the scene. An adult may immediately realize that a story set in 1870 happened before cars were invented, but you can’t assume kids will know that. And you can be pretty sure kids will not know that New York City was run by powerful political machines then, either.

Corey does a masterful job of building the historical scaffolding that her story needs to stand on. The book opens by setting the scene:

Welcome to New York City–the greatest city on earth. You say it looks crowded? Dirty? DISGUSTING? Well…you’re right.

She then describes New York City in the 1860s, giving kids all the background information they need to understand the magnitude of what Beach accomplished.

She structures the story around two dramatic moments, the first where Beach comes up with his idea and the second where he is forced to shut down the subway. At both of these moments, the reader has to turn the book to a vertical rather than a horizontal orientation. The drama of the book turn matches the drama of the moments in the story and act as bookends to the account of how the subway was built.

I was also impressed with how Corey dealt with quotes. In the back matter, she gives source attribution for the quotes she took out of primary source material. But she also adds that “several lines of dialogue have been invented to illustrate political debates of the time.” I went back to see if I could find the invented quotes. Each has to do with a suggested solution for New York City’s transportation problems. Here are the invented quotes:

Why not make a moving street, so we can get wherever we want by standing still?

What about building double-decker roads?

Or a railway on stilts?

A mail tube? Why not?

I’m generally leery of invented quotes, but these seem to me to  work well in the book. They explain the historical context, without extra verbiage, and do so without inventing new scenes or characters.

The art is quirky–“hand-built three-dimensional sets” that have been photographed–and memorable. This book is going on my wish list.

The wonderful book trailer is here.  The artist’s website is well worth a gander.

The Secret Subway by Shana Corey, illustrated by Red Nose Studio. Schwartz & Wade: 2016.

Children around a globe.

I participate in the 2016 Nonfiction Picture Book Challenge hosted by Kid Lit Frenzy. 

Cover of book showing Dorothea Lange. Dorothea's eyes are looking through viewfinder of an old-fashioned camera.Dorothea’s Eyes fills a gap. Here, at last, is a biography of the great photographer Dorothea Lange.

In her straightforward text, Rosenstock tells the story of Lange’s life. She traces how Lange’s childhood polio gave her keen empathy. We see Lange face struggles as the child of a single mother. We watch her insist that photography is her path, even without family support. Finally, we see her shift attention away from her successful and lucrative photography studio. She begins to photograph real people in challenging circumstances.

My favorite part of the book was the reproductions of some of her iconic and moving photographs on the final page of text.

If you want to delve into more of her photographs, check out the Library of Congress website. It has excellent resources for teachers, homeschoolers and individuals. You can find lesson plans and primary sources (including Lange photos) about the Great Depression here. Here you can see multiple shots from the session in which “Migrant Mother” was made.

There have lately been other interesting stories about photographs and photographers. If you want to delve deeper into this very modern art, try looking at these books.

Jazz Day: The Making of a Famous Photograph, by Roxane Orgill. Candlewick: 2016.

Gordon Parks: How the Photographer Captured Black and White America, by Carole Boston Weatherford. Whitman: 2015.

Coming soon! Antsy Ansel: Ansel Adams, a Life in Nature, by Cindy Jenson-Elliott. Henry Holt: September 2016.

Dorothea’s Eyes by Barb Rosenstock, illustrated by Gerard DuBois. Calkins Creek: 2016..

Children surrounding a globe and the words "Nonfiction Picture Book Challenge 2016"

 

I participate in the Nonfiction Picture Book Challenge hosted by Kid Lit Frenzy

Cover of book showing many men, including athletes in full uniform, surrounding a tiny woman holding a pencil and a notepadMiss Mary Reporting is vintage Sue Macy–it’s the rollicking story of a woman breaking barriers in the world of sports. But this time, the woman isn’t an athlete but a reporter.

This picture book biography tells the story of Mary Garber, one of the first and arguably the most prominent early female sportswriter. We learn about many of the stories she covered–from football to Soap Box Derby racing–and about her experience reporting on Jackie Robinson as he broke the color barrier in major league baseball.

Mary Garber not only reported on a trailblazer but also became one in her own right. She insisted on covering black high school athletic events, not just ones from the white schools in her hometown of Winston-Salem. And of course being a female sports reporter brought its own set of challenges. Something as small as a press pass could prove a challenge for her:

Even after she was allowed in [the press box], Mary had to wear the football writers’ official press badge, which proclaimed, “Press Box: Women and Children Not Admitted.

As you would expect in a book about a reporter, the narrative voice is straightforward and sometimes reportorial. The back matter is lively and helpful. I especially loved seeing all of the quotes in the book–13 in all!–fully attributed.

C.F. Payne’s illustrations reminded me of editorial cartoons. They’re fun to look at and good cartoon likenesses of famous faces.

This video is long, but if you watch even a few minutes of it, you’ll be able to see the real Mary Garber and hear her voice.

Portrait of Annette Bay PimentelI’m getting antsy for the publication date of Mountain Chef: How One Man Lost His Groceries, Changed His Plans, and Helped Cook Up the National Park Service.  But my book is on the way!

It tells the true story of Tie Sing, a Chinese American chef who lived in a time of intense anti-Chinese feeling but quietly and persistently carved out a remarkable career for himself. And despite all the obstacle American society threw at him, he loved America deeply. He became personally invested in the lobbying effort to create a National Park Service.

Plus the book has early morning sunrises, fortune cookies, and plummeting mules.

I know the book is really on its way now because the first review just appeared. Hoorah!

Cover of book shows woman looking across ocean sceneI love to find nonfiction picture books about women in science! This lovely new picture book tells the story of Marie Tharp, a cartographer and ocean researcher. She didn’t live that long ago, but she still encountered lots of opposition to her working in science. She managed to carve out a tiny place for herself at the ocean-studies lab at Columbia University and with a colleague came up with the idea of mapping the ocean floor.

Because she was a woman, she wasn’t allowed to actually do the research required to make the map, but she gathered all the data and figured out how to put it into a usable form. In her work, she became convinced that the theory of tectonic plates was accurate and then used her maps to convince her colleagues. What a great role model of a gutsy, persistent scientist!

The book is written in first person, a choice that makes it easy for the reader to identify with Marie Tharp’s passions, patience, and success.

The back matter includes an interesting glossary (interesting! a glossary!) of terms related to Marie Tharp’s work: Pangaea, Ring of Fire, seafloor spreading. There’s also an interesting section titled “Things to Wonder About and Do” which invites young readers to do things like make soundings in a lake, to research deep ocean spots online, and to speculate about the center of the earth.

Raul Colon’s art is beautiful and lovely accompaniment to this biography. This video profiles another book he did using the same materials he used in this book.

Solving the Puzzle Under the Sea, by Robert Burleigh, illustrated by Raul Coloon. Paula Wiseman Books (Simon & Schuster): 2016.

Cover of book, showing Ruth Law flying in a biplane.What did it take to be a woman aviator in the early 1900s? Pluck. Intelligence. Courage.

Ruth Law had them all. This story of her record-breaking flight from Chicago to New York City had me worrying for her, pulling for her, and ultimately applauding her success.

I especially loved the way quotes from Law are used throughout this book. There are thirteen quotes in all, and each of them is strategically placed for maximum impact. None of them are introduced with “she said” or any dialogue tag at all. They give the reader a sense of immediacy, as if I were really hearing Ruth Law tell her own story. For example, as she enters New York City, I read:

Gliding, Ruth circled around the State of Liberty toward Governor’s Island.

“She smiled at me when I went past. She did!…I think we both feel alike about things.”

As soon as I turned to the back matter, I knew this book had to have been published by Calkins Creek. They love back matter and lavish care and attention on it. We get two full pages of “More About Ruth Law,” giving more details about this trip as well as telling what happened to her after the trip. There’s a full page of bibliographic material and more than a full page of source attribution for the quotes–all in type just as big as that used in the rest of the book!

I especially loved the photos in the back matter. That, combined with Raul Colon’s pencil illustrations, made the book feel alive. You can get a glimpse of the photos and the illustrations together in this one minute long trailer. 

Fearless Flyer: Ruth Law and Her Flying Machine by Heather Lang, pictures by Raul Colon. Calkins Creek: 2016

If the children’s publishing world has anything to say about it, it appears that our next president will be Hillary Clinton.

Portrait of Hillary ClintonAlready this year two different nonfiction picture books about Hillary Clinton have been published–Hillary by Jonah Winter and Hillary Rodham Clinton: Some Girls are Born to Lead by Michelle Markel.

The art in the Markel book, illustrated by LeUyen Pham is much more cartoon-like. Despite the cartoony feel, it is deeply-researched. Pham and Markel have two spreads of notes, going page by page to explain who and what is illustrated on each spread.

Portrait of Hillary Rodham Clinton as a girl.I love the vigor of voice in the Markel book. She picks wonderful small details that enliven and ground the text:

“…along came Hillary, wearing thick glasses and a sailor dress, acing tests, upstaging boys in class, and lining up sports events to raise money for the poor.”

And later, talking about challenges Clinton faced when her husband ran for president:

“They said her headbands were too casual and her attitude was too feisty.”

I was impressed with her ability to convey specific information about policies and platforms Clinton has espoused.

When I want to share a book about a presidential candidate with a child, I’m going to be picking up Some Girls are Born to Lead.

Photos from a 1969 Life magazine story on Hillary.

Hillary by Jonah Winter, illustrated by Raul Colon. Schwartz & Wade: 2016.

Hillary Rodham Clinton: Some Girls are Born to Lead by Michelle Markel, illustrated by LeUyen Pham. Balzer & Bray: 2016.

W is for Webster cover showing Noah Webster peeking out through the pages of a bookA dictionary scholar is a tough sell as a picture book subject. Where’s the action?  What’s the illustrator going to illustrate? Sitting around writing and reading? W is for Webster tells the story of sitting around writing and reading with whimsy and humor.

Fern picks out whimsical details to tell the story of Webster’s life–as a child “Noah spooked the cows by reciting Latin” and he gets sent to school on a “swaybacked mare.” She comments wryly on his propensity to use impressive words–“This is an example of Noah talking big.”

Boris Kulikov’s illustrations are equally whimsical. He illustrates Webster literally–with shovel in hand–digging up words. To depict his research, he shows Webster diving into an over-sized volume and pulling out handfuls of text.

I was surprised and delighted by how engaging it was to read about someone sitting around reading and writing in this picture book!

Another great recent picture book biography is Noah Webster and His Words. It would be a great activity to read both of these texts and invite students to compare and contrast them and to think about why the authors and illustrators made the choices they did. Jeri Chase Ferris has a nice collection of Noah Webster activities and information at her site. 

W is for Webster: Noah Webster and His American Dictionary by Tracey Fern, illustrated by Boris Kulikov. Margaret Ferguson Books: 2015

Cover of Poet: The Remarkable Story of George Moses Horton shows George Moses Horton rapturously holding a newspaper in which his first poem has been printedPoet: The Remarkable Story of George Moses Horton is a lovely picture book biography about an African American who started writing poetry while he was enslaved. In the afterword, Tate says, “…the publishing industry could do a better job of balancing the topic of slavery with other African-American stories.”

This month furor has erupted again over what kinds of stories about enslaved people can be told in picture books. After A Fine Dessert and A Birthday Cake for George Washington, what topics can nonfiction picture books cover? I think it’s clear that right now it isn’t possible to write about slavery tangentially. If a nonfiction book is going to tell the story of an enslaved person, it had better deal directly with the issue of slavery itself. I feel wistful for those stories that aren’t being told. But I also think it’s fair to argue that we haven’t told the story of enslavement well enough or often enough to our picture book audience. That terrible story needs to be told before other kinds of stories about enslaved people can be heard.

Poet is a great example of what can be done in a picture book. It deals with the horrors of enslavement without losing the wonder and beauty of what Horton managed within the confines of slavery. Tate tells the inspiring story of Horton learning to read and to write and then finding a way to make a living out of poetry. But he doesn’t whitewash the injustice or horror of slavery, either.

I don’t think, though, that Tate was suggesting that we ONLY tell stories about enslaved African Americans.  I totally agree with him that we need lots, lots more nonfiction picture books about African Americans. And about Chinese Americans and Mexican Americans and Indian Americans. We need to hear the stories we haven’t heard yet to remind us of what makes us who we are.

Poet: The Remarkable Story of George Moses Horton by Don Tate. Peachtree: 2015.

Girl in a ballet pose.Years ago my sister gave me a picture book by someone she had  met at a social function. It had one of the best titles ever, Baxter, the Pig who Wanted to be Kosher. The book is hilarious. So I was excited when I saw another book by the same author, Laurel Snyder.

I love this book just as much as Baxter–no, probably more–but it couldn’t be more different in tone. This haunting, lyrical biography of ballerina Anna Pavlova is a dream to read aloud. It opens with her first time to see a ballet: “Her feet wake up! Her skin prickles. there is a song, suddenly, inside her.” We follow her as she tries to enter a ballet school, is rejected, and finally succeeds, becoming a world-famous ballerina.

I was fascinated at how much of the story Snyder conveys elliptically, without actually telling us what’s going on. We figure it out from the rhythm of the words, from the punctuation, and from the art. So when Anna Pavlova is rejected from ballet school (a fact you can confirm if you dip into Snyder’s excellent back matter), we read only: “At last Mama nods, and out of her house Anna goes, into the world of people. Tall people.” The illustration shows Anna entering a building where we see ballet students, in silhouette, practicing. On the next page, we see Anna leaving the building, head bowed, while the students continue to practice. The words say, “And oh? Oh.” The economy of language staggers. But the story is never lost.

I love the lyricism and rhythm of the language in the book. While Anna is waiting to get into ballet school, we see her dancing as she hangs up laundry, and the writing explains, “Anna stretches, bides her time. Shirt, shirt, laundry. Shirt, shirt laundry.

The book lingers over Anna Pavlova’s death–three full spreads are devoted to her deathbed–but the effect is not macabre. Instead, it’s gentle and celebratory. Much like a velvet curtain swishing closed.

The art, by Julie Morstad, is simple but sophisticated, based on a palette of black and white and red or pink. The endpapers are some of my favorite from the entire year.

This is a book to read, curled up next to a child you love, while the snow falls outside your window.

A video clip of Anna Pavlova dancing.

Swan: The Life and Dance of Anna Pavlova, by Laurel Snyder, illustrated by Julie Morstad. (Chronicle: 2015)

I’m happy to join Alyson Beecher of KidLit Frenzy in her 2016 Nonfiction Picture Book Challenge!