Cover of Cloth Lullaby, showing girls in a tent looking at gardenThe language in this beautiful book about artist Louise Bourgeois is lyrical and full of abstract language: metaphors, similes, and sly double-meaning phrases. Right from the first line we’re plunged into the world of words packed tight with meaning:

“Louise was raised by a river.”

The obvious meaning is that her family lived next to a river–which they did–but the book also quietly suggests that she became who she was because of the river–that the river raised Louise.

The metaphors and similes are rich and evocative:

 

Her family lived in a big house on the water that wove like a wool thread through everything.

Louise wove together a cloth lullaby.

Drawing was like a thread in a spider’s web.

It’s fitting that all of this abstract, figurative language is used to describe an artist whose work was symbolically figurative. We see in the back matter some of the amazing spiders she sculpted–her favorite subject–including one with a tapestry body.

The art in the book is beautiful and slightly surreal, matching the language beautifully. The production values of the book are rich and satisfying, too. The book has a cloth binding–absolutely appropriate for a book about a textile artist.

I’m so glad Alyson Beecher highlighted this book earlier this month on Kid Lit Frenzy. You can see more of the beautiful art in the book at Brain Pickings while you wait to get your own copy.

Cloth Lullaby: The Woven Life of Louise Bourgeois by Amy Novesky, illustrated by Isabelle Arsenault. Abrams Books for Young Readers: 2016.

Children surrounding a globe and the words "Nonfiction Picture Book Challenge 2016" I participate in Kid Lit Frenzy‘s 2016 Nonfiction Picture Book Challenge.

 

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Tiny Creatures introduces us to the world of the microbe. What are microbes? Where are they found? What do they do? Nicola Davies’ text answers these questions in an engaging, accessible way that left me filled with wonder. She’s particularly good at finding wonderful similes to help us understand this world-under-a-microscope. For example, on this page, she compares the number of microbes found in the spoonful of dirt pictured in the upper left corner of the page to the number of people living in India. An unforgettable image that makes her point handily!

 

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This book engaged both tiny and big readers at my house!

Tiny Creatures: The World of Microbes by Nicola Davies, illustrated by Emily Sutton. Candlewick: 2014

 

[booknet booknumber=”9781580894302″] “Birds and feathers go together, like trees and leaves, like stars and the sky.”

Melissa Stewart’s lyrical voice makes this information-packed book a great read aloud. The layered text structure is elegantly simple. Each spread compares a function of feathers to something in a child’s frame of reference–“Feathers can shade out sun like an umbrella”–and then smaller print (the second layer of text) explains that sweeping generalization in greater detail.

The first layer of text is very short–only about 175 words–but it provides a perfect framework for understanding all the information packed more densely in the second layer of text.

In the back matter, Stewart talks about the scholarly articles about feathers that first piqued her interest and about her struggle to find the right structure for this information.

Feathers: Not Just for Flying, by Melissa Stewart, illustrated by Sarah S. Brannen. Charlesbridge: 2014.